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Noise

Last updated on Saturday, September 30, 1995 at 5:00 PM.


Reading

These notes.


What is Noise?

Noise is somewhat hard to define, and many people argue about its exact definition. In general, though, we consider the signal to be the information- carrying part of the input and noise to be any additional information-less part. To be precise, we mean that it is information-less with respect to the task we're trying to do. So, for example, Mozart's music may be very rich in information, but it is noise when we're trying to listen to a conversation.

Some forms of noise are fixed and predictable: for example, a 60 Hz hum on a transmission wire introduced by cross-over from power lines.

In general, though, noise is a random process. As such, it is usually characterized using the language of statistics.


Quick Review of Statistics

In this lecture, we'll use three statistical quanties:
Mean.
The average or expected value.


Variance.
The expected value of the squared error.


Standard Deviation.
The square root of the variance.


Since the units of measure may be arbitrary, we typically normalize the standard deviation by comparing it to the mean: .


Ensembles of Images

Suppose that we take one picture of a scene, then another, and another, and another. Because of random variations in light, the random distribution of molecules of air in the path of the light, the random distribution of silver-halide grains in film, etc., we'll never quite get exactly the same picture twice.

We can consider the picture as a random variable from which we sample an ensemble of images from the space of all possibilities. This ensemble has a mean (average) image, which we'll denote as .

As with most stochastic processes, if we sample enough images, the ensemble mean approaches the noise-free original signal.

So, one way to often eliminate noise is to take a lot of pictures. However, this usually isn't feasible.

If we compare the strength of a signal or image (the mean of the ensemble) to the variance between individual acquired images we get a signal-to-noise ratio:


A high signal-to-noise ratio indicates a relatively clean signal or image; a low signal-to-noise ratio indicates that the noise is great enough to impair our ability to discern the signal in it.


Additive Noise

Often, noise is additive, simply causing the resulting image to be pixel-by-pixel higher or lower than it should be. Such noise can be modeled by


Correlated and Uncorrelated Noise

An image, however, isn't just a single value, but a multiple (vectored) one. Each pixel can behave differently, so we need to look at the variance of each and the covariance between them.

If is the ensemble mean, we can measure the difference between each sampled image and the ensemble mean by . We can think of this as a (really big!) vector that measures how each pixel in the sample differs from the average at that position. By multiplying by its transpose, we get a matrix where each ij-th element is the product of the difference between pixel i and its average and the difference between pixel j and its average. By taking the average of this matrix over all images in the ensemble, we get a covariance matrix


(Notice that this is the same form that we used in the last lecture when discussing the Hotelling transform. Then, we were seeing how each element of a multi-valued pixel correlated with the others. Here, we're seeing how each pixel correlates with every other pixel--a much bigger matrix!)

If the covariance matrix is diagonal, each element of the diagonal is the variance of the corresponding pixel, and there is no correlation between the effect of noise on one pixel and the effect of noise on another pixel. This type of noise is called uncorrelated.

If the covariance matrix has non-zero elements off the diagonal, there exists a correlation between the effect of noise on one pixel and effect on another. Such noise is called correlated.

In-class question: what do you think correlated noise looks like?


Poisson Noise

In addition to the mean and variance, we can also discuss noise in terms of the shape of the distribution for each pixel.

One common distribution for the values of a each pixel is determined by the nature of light itself. Light isn't a continuous quantity, but occurs in discrete photons. These photons don't arrive in a steady stream, but sometimes vary over time. Think of it like a flow of cars on a road--sometimes they bunch together, sometimes they spread out, but in general there's an overall average flow.

Discrete arrivals over a period of time are modeled statistically by a Poisson distribution:


A Poisson distribution is similar to a Normal or Gaussian distribution with the following exceptions/properties:

  1. A Poisson distribution is for discrete values, not continuous ones.
  2. A Poisson distribution applies only to non-negative quantities--one counts arrivals, not departures.
  3. A Poisson distribution has the property that its variance is equal to its mean: .

Consider then, what happens to the signal-to-noise ratio for an image with Poisson image:


In other words, the signal-to-noise ratio of an image with Poisson noise increases with the square root of the mean.

Remember, though-the mean value is such an image represents the average number of photons counted during a particular period of time. Any imaging modality with low photon counts is inherently noisy-you simply can't get around the Poisson noise due to the quantum nature of light.

So, one way to decrease the effects of Poisson noise is to increase the photon count. This is not, however, as easy as it sounds. Increasing photon count may mean


Gaussian-Distributed, Uncorrelated, Additive Noise

There are other sources of noise, however, that are unrelated to this quantum nature of light. There are many possible distributions for these random variables, but many of them can be modelled by a normal (Gaussian) distribution.

Unlike Poisson noise, which varies with the image intensity, such Gaussian-distributed noise is usually uniform over the image.

Noise that is Gaussian-distributed, zero-mean (doesn't change the average intensity level), uncorrelated, and additive is called white noise.


White Noise and the Frequency Domain

Just as white light includes all parts of the visual spectrum, white noise includes all parts of the frequency spectrum. Just like a delta function, white noise has a uniform frequency spectrum. However, unlike the delta function (for which all of the frequencies are in phase), the phase part of the transform is random.

Some forms of noise are "colored". "Blue noise", for example, has light low-frequency content and large high-frequency content.


Vocabulary



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© Bryan S. Morse, 1995